How to work with a PR firm: 15 do’s and 8 don’ts

The New York Times’ Small business blog has an interesting post about do’s and dont’s when working with a PR firm.

Jennifer Walzer, founder and chief executive of Backup My Info!, a company that does online data back-up, discusses her experiences with a PR firm and passes along advice on how to  make the relationship go smoothly.

You’ve probably heard several of her tips before such as know your key message and schedule frequent status meetings with your PR rep. She also advises PR firms to check with their clients first before using their names in testimonials.

I’ve compiled my own list of do’s and don’ts. Here they are, exceprted from my ebook How to Hire the Perfect Publicist.

8 Things You Should Never Do

When you hire a publicist, promise yourself that you will NEVER:

  1. Tell the publicist you think you know better than he does do how to do a certain task he’s done for years, with great success.
  2. Rewrite the publicist’s press releases.
  3. Go behind the publicist’s back and send letters, gifts or anything else to media contacts.
  4. Force the publicist to work within certain constraints because you’re too cheap to spend the money to do your publicity campaign right.  A publicist called me recently to complain that her client refused to make his press releases available to the media in anything other than a PDF attachment that is emailed.  Most reporters don’t bother opening email attachments.  The publicist suggested that he post the releases at his website, but he said that was too much trouble and too expensive.
  5. Tell the publicist you want national coverage, then get cold feet and refuse an interview when a major magazine or a TV news show calls.
  6. Insist that the publicist ask a reporter to let you read a story before it’s printed.
  7. Tell the publicist you don’t want to interview with reporters who are out to write “bad news” stories about you.
  8. Demand that the publicist write and send a press release about something she knows is not newsworthy.

15 Ways to Help Your Publicist

  1. Start with a plan.  You and your publicist must know and agree which audience you are targeting, how you will reach them repetitively, how you will capture their attention and why they will buy your product or service.
  2. Explain your work style.  Do you like to be involved at every step of a project, or do you like to give direction and let the publicist handle the project?
  3. Explain how you want to receive updates (phone, fax, email).
  4. Be willing to educate the publicist on the product or service you are promoting.
  5. Communicate frequently with your publicist.  If you don’t like an angle, explain why and listen to her response.  The publicist knows how to sell it to the media and your other targeted markets.  You should always have final approval of all materials, but your publicist must be fully behind the story angles to do the best job for you.
  6. Revisit your plan often and decide whether to stay on track or follow new opportunities.
  7. Ask the publicist what you can do to save money, such as Internet marketing, yet not compromise the effectiveness of the campaign.
  8. Before you call your publicist, make a list of questions or concerns you have throughout your campaign and fax or email them so the publicist can return the call when it is most convenient.  Ask your publicist when the majority of follow-up calls to the media are made, and avoid calling at those times.
  9. Encourage your publicist.  As they make your media calls, they hear “no” more than a salesperson and a 2-year-old combined.  Ask what common rejections they are receiving so you can offer new ideas.
  10. Ask the publicist how you will know what is happening throughout your campaign.  Will you receive weekly reports?  Reports as possibilities arise?  Reports when results happen?
  11. Get involved.  If you let the publicist do everything and make all the decisions, you’ll be stuck once the contract has expired and you’re on your own.  Ask the publicist to teach you a few skills you can use after the project is completed.
  12. Be honest with the publicist and explain what information about your company cannot be shared with the media.  Are any areas of your company off-limits to photographers?  Are any executives not to be bothered with media interviews?  Are certain clients never to be identified?
  13. Take the time to answer the publicist’s questions so they can learn about your business quickly.
  14. Mention problems as soon as they occur, before the problems have a chance to become even bigger.

Ask your publicist periodically, “What can I do to help you?”

Don’t Expect the PR Firm to Do It All

One final piece of advice: Become actively involved in your own publicity campaign by doing things such as blogging, maintaining a Facebook Fan Page (see 11 Ways to Avoid Missed Opportunies on Facebook) and sharing helpful advice for your target audience on Twitter. Answer questions on LinkedIn. Comment at other people’s blogs.

Follow these guidelines and you’ll be off to a great start!

Publicists and PR pros, what advice do you have for people who hire you?

If you’re someone who has worked with a publicist, what have you done to make the project a success?

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Comments (13)
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  • Flo Selfman

    Here are two other ways to help your publicist:
    1) Pay your fees and expenses on time as agreed in your contract. The publicist has bills to pay, too, including vendors. One way we maintain good vendor relationships is by paying them on time.
    2) Don’t forget to thank your publicist for a job well done. You may hear about a story when it breaks, but your PR person may have spent countless hours, over weeks or even months, securing that story.

    • Joan

      Love your idea of saying thank-you. How about a spa certificate for a job REALLY well done? Or, if you can’t afford that, a Starbucks gift card for $10 or $15 inside a pretty thank-you note?

      It’s the gesture that counts.

  • Nancy Juetten

    Hi Joan,

    Sometimes, the way a conversation starts between a client and an agency sets a powerful tone for what can happen next, and it is not always pretty.

    For example:

    The clients who start with, “We hired two firms before that disappointed us, and we were hoping you would do a better job” send up a red flag of alert immediately.

    The ones who say, “We hardly have any budget and need things to turn around immediately” offer pause for concern.

    There are plenty of other conversation starters that stop things immediately in their tracks. In fact, a while back, I wrote a column about this with input from other publicists, and it’s a hoot. You can find it here:

    http://seattle.bizjournals.com/seattle/stories/2008/12/08/smallb4.html

    Enjoy!

    • Joan

      Nancy, here’s another one I hate:

      “How about if we work out an arrangement where I pay you according to the publicity I get?”

      Indeed, there are pay-for-placement services out there, but they are very expensive and used almost exclusively to get media hits in top-tier outlets like The New York Times and Oprah.

  • Kristina Godfrey

    Here is something to never ask your publicist to do:

    Insist that a magazine cover your story or product because you spend a lot in advertising with the magazine.

    Here is something a publicist never likes to hear:

    Great article in (very high traffice website) or (national newspaper, magazine) but we didn’t really see any sales from it.
    It is NOT the publicists job to secure sales, it is our job to get stories and products placed in the media. It is your job to sell your product or service. Publicists create awareness for the great things you are doing or offering.

    • Joan

      Kristina, you’re so right about the “it didn’t result in any sales” complaint.

      Excellent publicists know the tricks on how to turn publicity into sales. For example, I see so many PR campaigns that simply lead people to a website, without explaining what’s in it for the visitor.

      Offer something for free—an ebook, special report, tips list, cheat sheet—to get people to the website and give you their email address. That freebie also encourages the media to include your URL in articles they’re writing.

  • rickey gold

    Oh the pain of the “don’ts”! Those of us who do PR have probably dealt with all of them.

    I have two more to add that I seem to get regularly:
    1. Don’t base hiring a PR pro on whether or not she can get you on Oprah.
    2. Don’t ask how many placements you will get. An honest PR person will not be able to tell you that upfront.

    Thanks for the “do’s”, Joan!

    • Joan

      Rickey, here’s how I deal with the can-you-get-me-on-Oprah question:

      “You want to get onto Oprah? How much experience do you have doing live TV interviews?

      “None? Well, are you telling me you want to go onto America’s Number One daytime TV talk show and make all your mistakes in front of an audience of millions of people? Because you WILL make mistakes. Better to make them on smaller shows where fewer people will notice. Get a half dozen or so shows under your belt, then shoot for Oprah.”

  • Katie Hines

    The natural follow-up to this article should be what authors should look for in a publicist. I hired an online pr firm for a few thousand dollars, and basically wasted my money. Believe me, I learned a few things about hiring a publicist.

  • Flo Selfman

    Here’s another one: Make sure your publicist knows where you are and how to reach you There’s nothing like getting a last-minute call from a major show and not being able to reach the client. It makes both parties look bad and forces the publicist to cover for you while wishing she could wring your neck!

    The other side of that coin: be available for last-minute bookings. It makes both you and your publicist look good when you’re willing to accommodate media’s needs.

    • Joan

      Great tips, Flo, especially the first one about letting your publiicst know where to reach you. The 24-hour news cycle means a big TV show could be interested in getting you on, but it has to be in the next 2 hours. After that, you’re history.